made with
sorry for the mistakes!
Sexy Moon
Just to mark the territory from the first seconds: overview of Athens,
then of a Cypriot port and finally we end up in a room, where Laura
Gemser is having sex. Thus it is clear to the viewer, where he is, with
whom he is and what them wants to tell to him. The director and
screenwriter is the good Ilias Mylonakos who on these pages we have
already seen in "Confession of a Lesbos Honey" and "Orgia Stin Kerkira"
and who here confirms (not that it is a surprise) his passion for
erotic movies reaching the peak of his international popularity with
this film, thanks above all to the protagonists.
Film that seeks to exploit the fame of Emanuelle, calling Laura Gemser
(of course) Emanuelle or Emmanouella or in any other way can recall the
well-known character played by our heroin, of which here there are no
traces. Apparently there would also be the hand of Joe D'Amato who in
an interview with "Dark Magazine", issue 78, said (we didn't read it)
of having shot some posthumous scenes, and then inserted into the movie.
And so we find ourselves in an erotic film with thriller veins and some
"Rape & Revenge" intent. Nudes, on nudes, sex, violence, images
that dwell on anatomical details and scenes of rape and also the
evident presence of a minor, such Livia Russo, who appears naked in the
shower and who is the object of violence as well as dancing in the
disco on images of the "Village People" (not on the music) while
showing her slip. A thing that today would have led to the arrest of
the entire crew and the closure of the enchained production company.
But you know, at the time there was a differerent ”sensitivity".
Leaving aside this rather disturbing aspect, our Laura Gemser, always
beautiful and in great shape plays the wife of a violent man whom she
wants to kill. To do this she hires a killer, but this at a certain
point he begins to blackmail her and endangers her stepdaughter (the
aforementioned minor). Of course, before this aspect explodes they
spend a lot of minutes showing everything we have said.
Gabriele Tinti and Gordon Mitchell, complete a cast that sees several
Greek actors, led by our “Emanuelle” but not enough to save
this film from being a long carousel of soft-core scenes loosely tied
to a plot.
