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Poliziotto solitudine e rabbia
The combed moustache. The look of someone who is tired of life. The
sharp tongue of someone who knows how to say the right thing at the
right time. And also do the right thing. Always.
Maurizio Merli, who needs no introduction, puts on his badge for the
last time for a German co-production shot by the good Stelvio Massi.
We are now in 1980, the poliziottesco genre is over, but Massi tries hard, starting also from an original tasty title as usual.
But the director's professionalism and commitment, who as always shows
a good hand, especially in action scenes, is not enough to save
everything. The streets of Venice, where history explodes and a winter
Berlin are excellent well-used locations, which if nothing else gives
an original touch to everything.
"The Rebel" unfortunately often suffers from characters and situations
that are more than stereotyped and characters that are speckled.
Nick Rossi, that is, the inflexible Merli, abounds with clichéd
and highly intelligent phrases. Around him the usual fools and the
woman of the bad, beautiful, but basically good with a sad story behind
her.
Nick Rossi, a no longer in business, policeman helps a friend to
protect a wealthy businessman intent on buying a Venetian glass
factory. But the man is killed. Thus the astute Nick infiltrates a base
gang in Berlin, passing himself off as "Venice" as the driver of the
command of the murder.
In the German city, always with tough methods, he carries out his mission.