made with
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Le Lunghe Notti Della Gestapo
Here is a guide on
how accurate throw a good idea. Here we have a Nazi exploitation which
departs from the classical canon, forgetting prisoners, torture and
rivers of blood, preferring in-house development with members of the
Third Reich and the German bourgeoisie absolute protagonists.
But here is also serious intellectual intentions and repeated
references to other films "Il Portiere di Notte" and "Salon Kitty" for
example, who drove us to boring.
It's a sin because the direction is not not bad always lookin for images and solutions rather than decent for the genre.
A real opportunity thrown away. It 'as this gives us this film that had
it not been that described above would be a good work. Translated: it
was another film would be here talking about a masterpiece. Instead
Fabio De Agostini director and screenwriter wasted the good intentions
of an history that start from the year 1941.
A historic day that recalls the flight, the flight or the betrayal of
Rudolph Hess flew to England. After this one of Hess'loyalists Uhland
is processed. Uhland has the last chance to save his life with a
mission. He must trap and drop into into a big scandal a few
middle-class Germans suspected of being against the regime.
The scandal has deeply sexual and victims are invited to a weekend in
an elegant castle full of hot chicks. In reality there will be no
repercussion. The Gestapo is involved exterminating all. Girls and
accomplices including, in an end that reminds a lot the "night of long
knives."
The darkness and the elegance of the places does the rest and making
this movie more and more difficult to see. The Eros of the movies tries
to give himself a tone, playing on seduction without forgetting the
trash that is achieved by erotic number good for the worst club of the
"sex tourism" locations.
