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Ultimi della Classe


The initial song show very well what follows. A mix of genres, done with good intentions, that create a lot ‘of confusion. And the movie is not less.
Theoretically the will was to rebuild the legendary film about teachers and substitutes paid homage to the myths of italian’s 70’s movies.
Unfortunately the movies of 70’s so sincere, so genuine, are gone. Just like those actors and those great characteristics. And finally, the society has changed and the public as well.
The result is that the good intentions of Luca Biglione end more than anything else in a juvenile comedy that threatens to become a “generational” movie.
Sara Tommasi, the female protagonist, is very beautiful but very far for the Queens of seventies and far from their natural exuberances.
The other actors who should fill the various roles, from the  protagonist to the  shoulder pale in comparison to their predecessors and the will to make a convincing direction took away even more sincerity to the movie.
Scratching, scratching we fount the typical fees of the genre . A student, Michele, poor student and poor with girls, collect fool on fool saving himself only in his blog in which he seem a big myth. Unmasked also there and in crisis with the study, the family decide to  leave him form the school hiring a private teatcher.
The teacher is Barbara (Sara Tommasi) than in the past has posed for a sexy calendar. Michele finds out and offered an exchange: in return for its efforts in studying, he wants to watch the living pose of the calendar.
All with adolescent love, betrayal and various commitments. A few gag worthy of note and a good soundtrack, but always away from the emotion that stirred the compositions of Pietro Umiliani, Nico Fidenco and Riz Ortolani.