made with
sorry for the mistakes!
We all have someone in
our past that we wouldn't meet anymore. Because we have bad memories or because
this persons beat us in everything, as when you are trying to seduce someone.
Perhaps it's too much to
do as Virginia, which lunge from a train and goes into an area where there
isn't a living soul (and we don't say that by a chance).
This is the beginning of
the beginning, in the sense that Armando De Ossorio, "The Last
Templar", begin with this movie his famous tetralogy starring the blind
Templars. Here, however, in the original language, there aren't references to
the famous order, but to an order of the Knights of the East. For the record.
Templars or not this is
the number one of successful series that has made the fortune of Armando De
Ossorio, a horror director very interesting, but a little 'overshadowed by the
reputation of his most famous and naughty countryman Jess Franco. But Ossorio
deserves a place in history, because "La Noche del Terror Ciego", is a
handmade movie that deserves the esteem of the fans of the genre (and not only
them). A film that has several flaws, as genre wants, but that also has many
good things, represented by solutions as simple as effective.
The inspiration is George
Romero, whose message is "translated" into a story that is partly
Gothic and partly contemporary. Two worlds those are well physically separated
and coming together thanks to the main characters of the story. The narrative
is rather slow, typical of the period, but given the setting, at the end is not
boring even one modern viewer.
"La Noche del Terror
Ciego" doesn't have a plot very powerful and the incipit that we have
summarized briefly is really trivial, with this girl, Virginia, which meets on
holyday her old friend and schoolmate Betty. The first decidedly cute and
naive, seems to have a kind of subjection to the friend, who, thanks to a
flashback, we understand that taught her many things, even Sapphic sex
represented by a chaste kiss.
A psychological
subjection that becomes a nuisance insurmountable for Virginia, when her friend
Roger, of whom she is in love, also invites Betty to spend some days in another
town. She doesn't resist bursts of jealousy lunge herself from the train that
is taking them to the destination. Instead of returning home, however, she
stops in the ruins of an old medieval village, where at night the old local
lords (the Knights of the East) come back to life to continue to pay the toll
(female) to Satan.
About what happened to
Virginia, investigate later Betty and Roger who discover the incredible history
of the blind Knights. We don’t' want to tell you a lot, but the history of this
congregation is definitely well built and briefly sees them protagonists, then
executed, (hung from trees with eyes eaten by crows), of a story that takes situations
from the ancient Egypt and melee with Satan for the usual exchange.
This medieval part is
really interesting, as is, all the horror aspects, and as the same knights/
zombies. From the flash back when they were alive, in which we can also see the
beautiful Britt Nichols, the opening of graves, to make up and to the movements
that include rides several times shot in slow motion. The monsters are credible
and they create a little annoyance. Maybe a little too smart, are the result of
some clever and simple steps ideas by Ossorio, who had certainly not an
unlimited budget and complete the whole with long silences, gloomy sounds and a
soundtrack that emphasize the most important moments, to take us to the
beautiful scene of Betty trying to escape from the zombies (who are blind) but
is betrayed by her heartbeat, the only sound.
In addition to the good
Gothic world there are also good ideas in contemporary one. Excellent and
exquisitely horror are the scenes in the morgue, to which we forgive a lamp
that swings for no reason and of which we enjoy the maniac attendant and an unexpected moment of black humor, or
the train, which passes close to the cursed place and who is the protagonist of
the ending.
A cult movie, sometimes
packaged very well, with a photograph that has a good time (not many to be
honest, but some) and so many moments of suspense.
Unfortunately, however,
there are incredible banalities. Apart from the incipit, even the part that
takes us to the ending is ridiculous, with four characters in the damn place
should try to find out the truth, but some of them prefers more to have sex.
The characters probably
could be more deep, because we don’t' know or it seems, what there is really
between Betty and Virginia. Not to mention Roger whom we only know that is
handsome, (so they say) and that is a decorator.
Doubts and flaws aside,
Ossorio made a very enjoyable film, a co-production between Spain and Portugal,
with scenes filmed in Madrid, Lisbon, Estoril, Palmela and Sesimbra. A film
taken then by the usual unscrupulous distributors, US for the occasion, that
trying to exploit the commercial success of "Planet Of Apes" released
the film with the title "Revenge from Planet Ape", creating a
prologue about an old civilization monkeys destroyed by humans. Bah.
Original title: La Noche
Del Terror Ciego
Alternative titles: La
noche del terror ciego (Spain), Tombs of the Blind Dead, The Night of the Blind
Terror (English title), A Noite do Cego Terror (Portugal), Die Nacht der
reitenden Leichen (Germany), Grobnice slepih mrtvaca (Serbia), Hayaletler
Mezari (Turkey), I ekdikisis ton vrykolakon, I nyhta tou Mavrou thanatou,
Zombie sti nyhta tou Mavrou thanatou (Greece), The révolte des morts-vivants
(France), tombs of the Blind Dead (Italy), Mark of the Devil Part V: Night of
the Blind Terror, Mark of the Devil, Part 4: Tombs of the Blind Dead, Revenge
from Planet Ape, The Blind Dead, Tombs of the Evil Dead (USA), Tombs of the Blind
Zombies (Netherlands), Vakrémület (Hungary) Crypt of the Blind Dead Night of
the Blind Dead (undefined)
Year: 1972
Country: Spain
Director: Armando De
Ossorio
Cast: Lone Fleming, César Burner, Maria Elena
Arpon, José Thelman, Rufino Ingles, Veronica Llimera, Sion Arriaga
Duration: 97 '
Production Company: Interfilme, Plata Films S.A.