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The Green Inferno


The "Cannibal Holocaust" T-shirt that Eli Roth wore on the set of "Hostel II" had come to our mind that the tribute to Ruggero Deodato would go over. Over the declarations of respect and love. Stronger than fake controversy between the two. "The Green lnferno".
Roth who cites Herzog as inspiration takes the title from the second segment of the legendary Italian movie that also explains the meaning. "The Green Hell" was the flashback of the four journalists in the Amazon and the Roth’s movie is a flash back on Italian cannibal movies.
A tribute, a sign of esteem for a genre that had a brief but intense moment of celebrity. "The Green lnferno" is nothing more than that. It’s not a horror that aims to go beyond the limits and doesn’t want to overcome the scandal of his main source of inspiration. A modern version, we might say, of the cannibal stories with a central criticism on the popular leaders, the guru, able to drag the masses with intent that on paper seem pure but that hide disturbing truths.
Once again, Roth use the “travel” as theme with a negative attitude of the United States, always ready to put hands in other business.
Splatter relative of Cannibal genre wants and imposes zany jokes that Roth readily provides, but for some reason can easily imagine the director totally excludes nudes, another essential aspect of this type of movies.
Launch as the most frightening and terrible movie of recent years, "The Green lnferno" has strong images well done and emphasized by some camera movements. Roth is a capable director and above he knows well the genre, but his movie doesn’t touch the disgust point able to shock the audience. At least a certain audience. This product is not only for fans (see maniacs) of genre cinema or the B movies and so "The Green lnferno" is not always able to convey his entertainment message to the average viewers and above all, as we said, to look a tribute to Cannibal genre.
The narrative structure is not very easy. It follows the standards of the genre, but the action begins after almost forty minutes. A long wait in which we met the protagonists, aka the cannon fodder.
Justine daughter of a UN manager joins a group of activists who fight against deforestation in the Peruvian Amazon. Ferdinando is the handsome and charismatic leader who organized an action on the spot. They leave for Peru and block the bulldozers. A goal achieved with direct streaming worldwide and the group take the plane to come back home.
The damned and fucking plane. The one that in genre films always falls, killing somebody and leaving the survivors at the mercy of an unknown cannibal tribe. And that's what happens here. Mistaken for enemy survivors are caged by a group of colorful natives who ate one of them for lunch. The more fat dies immediately and the others remain imprisoned trying to escape and also becoming the subject of rituals such as female circumcision. Ferdinand reveals his true purposes, reaching paradoxical moments and between bodies slaughtered and uncertain attempts to escape, the "developed" see the images of this tribe and the denunciation of the Amazon deforestation.
The final credits open to a sequel planned for 2018 with Nicolás López as director for and "Beyond the green hell"as the title. And we hope it will be better than the "Hostel" sequel
A young and a willing cast who doesn’t’ seems ordinary people (we quote the interview with Tarantino about "True Detective") and that know a little about the history of genre, fulfills his duty in a movie not memorable, but well done and which could open the revival of the Cannibal genre.
 
Shot in Chile and Peru, as well as in New York, , "The Green lnferno" should be released a year ago, but due to problems with "Worldview Entertainment" that should manage the "P & A" the movie has been delayed. Problems. Another thing that unites the Roth and Deodato movies although "Cannibal Holocaust" sparked a major scandal. But at the end "The Green Inferno" is the light version. Even in this.