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Dear God No!
The operation nostalgia by James Bickert reaches peaks of orthodoxy
remarkable. "Dear God No!" It’s a perfect Grindhouse’s,
which seeks more than pay homage to that era, to be one of the episodes
of that cinema. It succeeds well, putting in a bit 'of everything from
bikexploitation to splatter, through horror, sexploitation, the Nazis
and not forgetting boobs. Of course.
So "Dear God No!" of 2011 is a bad movie, with a low budget and a plot
full of too many things. So "Dear God No!" of 2011 is a great B movie,
which apart from the scratches to the film digitally, seems a
70’s d film It wants to be a "B Movie" at all costs and
commitment seems genuine. Shot in Super 16 mm, shows grainy scenes and
especially special effects rather than simple, while the actors perform
with the right commitment for the goals of this work
Eleven years after his previous film, James Bickert tells a story that
begins with a gang of motorcyclists. Bikexploitation without limits
with "The Impalers" a gang that loves wild parties, alcohol, drugs and
above all violence. They kill anyone without problems and do a massacre
at a seedy strip club frequented by a rival gang. The clash left alive
very few elements that take refuge in a remote cabin in the woods of
Georgia. The situation in this place seems good for them. Because the
house is inhabited by Elder scientist Dr. Marco Guntar his daughter
Edna and a couple with her pregnant. Except that, after the abuses and
violence to women of the house, a strange woman locked in the cellar
comes out and from the wood, a monster is coming
The story reaches weird peaks, as the slaughtering of the pregnant
woman and the raid of monster, also including the figure of the mad
Nazi scientist. Unfortunately it slips slowly in the dreamlike adding
nonsense to a story already very nebulous. As mentioned, at the end
result is more than pleasant and references to the seventies movies are
great, from the opening credits to a nice soundtrack. In addition there
is also a hidden message in the frame with the headlines, the director
explains the genesis of the name Dr.Marco. Unmissable.
A film appreciated by a certain critics and a certain audience, which
helped the career of Madeline Brumby (Edna) in genre cinema.
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