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Two faces of love
Omiros Efstratiadis deserves much success among the cinema’s lovers. We are sure after seeing third movies, previous of others that we already reviewed. The Greek director strong  of a nearly fifty-year career gives us another interesting movie, which is between the drama, erotic, thriller and psychedelia.
A film of 1972 that makes the low-cost its symbol and the length its pride.
Efstratiadis works with a few things, all at your fingertips and puts them into a storyline with two faces, like the English title brilliantly explains.
A simple construction with a very linear direction that frequently focus on morbidity and women’s naked bodies, and tell us the life of the unsatisfied Eleana.
Married with the rich Giorgios, businessman linked to various businesses (and for some reason also with the world of football, as some scenes of the matches of Panathinaikos testify) is an unsatisfied woman and she is ignored by her husband. The luxury is not enough and therefore Eleana begins a second life, diametrically opposite. She is a prostitute and among many customers she met Hristos who falls madly in love with her.
With a (very slow) dramatic crescendo the two worlds collide and don’t’ think about her husband who discovers the thing, but it’s Eleana who suffers leading us in a psychedelic ending is really an understatement.
The story is very slow and diluted [ninety] minutes which often bore the viewer. Poor production and sometimes poor ideas . But despite all, this soft-core film it has something that makes it attractive, and after all, enjoyable.
Giorgios is played by a great sex symbol of the Greek cinema of the fifties and sixties, Andreas Barkoulis. And the main women character is Anna Fonsou actress beloved BT many directors and star of several commercial and erotic which have made her the forbidden dream of the Greeks.