made with
sorry for the mistakes!
Love Feast
An old satyr pretends to be a photographer to attract young girls to
his house and have sex. The satyr in question, fatty and with white
knickers is our beloved Ed Wood.
Before begins of the usual series of affectionate phrases on the
world's worst director (it’s not true as we say every time), we
must emphasize that our hero here doesn’t sit behind the camera.
Many other filmmakers know how to do bad movies, and in this case, the
culprit is Joseph F.Robertson. Another guy, a good friend of Wood, with
an adventurous life and intense film career. From being a Marine during
World War II to become a director, Robertson goes for an important
career in the financial sector and experiences in Europe as sales
person. The story says that it is precisely in Europe that he became a
cinema lover and that once returned home he begin to work for
Hollywood, where he does the producer and then the director of some
horror and porno flicks as Adele Robbins.
A curriculum that has nothing to envy the most famous Ed Wood and that
is automatic guarantee of bad movies, like this "Love Feast" mostly
known as "Pretty Models All in a Row", his first film as a director.
The beginning is incredibly (almost) convincing. The credits are
written on the body of some actresses but unfortunately punctuated by
fixed image as porn magazine. One thing that prepares us for 63
'minutes of film that we're about to see.
Ed Wood, who plays the Sig.Murphy, tells us about his passion: "girls,
girls, girls" and how take them home and have sex. He pretends to be
photographer, he puts an ad in the newspaper and the girls come to his
home for having sex.
A plan that works well, very well. Even too much. Because Murphy
doesn’t have time to have sex, that another girl knock on the
door. Are useless two aid, and Murphy must surrender before succumbing
as a slave with some dominating girls who force him to lick their boots.
Apart from the idea of throwing in the absurd and morbidity "Pretty
Models All in a Row" has nothing else interesting. It’s a short
carousel of softcore bad scenes and a few intimate close up. If there
was no Ed Wood that looks a lot of fun this film would be finished in
the oblivion, but once again, the director brings to the "success" a
movie.