made with
sorry for the mistakes!
Rape Zombie: Lust of the Dead 3
Where were we? Ah yes, two women were squeezing their tits, while horny
zombies tried to rape as much as possible or then and the last
remaining healthy males enjoyed the scene. And where are we now? always
in the same place, always with the same problems, because on the other
hand the third chapter of the filthy zombies was shot simultaneously
with the predecessor with which it was also presented. But apart from
an excessively long start that sums up the previous adventures, the
third chapter of the Tomomatsu’s saga, takes slowly, new and
unexpected roads avoiding, at least in part, the risk of boring.
Only in part, because in the end the story is always the same, the two
factions always have the same anger, characteristics and desires, but
here everything is more focused on the female front that accuses
different cracks inside.
At the cry of "Love is making children in the first place, women with
women cannot make children. The population in Japan was decreasing and
then this toxic men's syndrome ... we have no choice but to annihilate.
So we are only killing time until the end "in the female headquarters
they have great sapphic sex, nuanced by bullying, generating obvious
and violent jealousies. In laboratories, on the other hand, they try to
"re-educate" men, using a guinea pig and trying to collect the sperm of
the only healthy man left in there. Things create a big problem, partly
explained by the usual irresistible naughty skeleton. The male front,
on the other hand, plans revenge on "3D" women and assault their
headquarters. And so blood, so many sex scenes, different moments of
dementia and lots of violence. Sexual and physical violence that
touches high points of misogyny focusing on the final part in which the
zombies and angry men successfully assault the "fort" of women, doing,
as you can imagine a carnage that is sometimes appreciated by the
victims (!!!). The notes of the Ave Maria of Schubert, hovers over all
this trash, on huge cocks and on burning cunts. The contrast is
definitely strong and ultimately successful, according to the goals of
the director and the usual Japanese craziness. There is therefore not
much to add, in a better chapter of the predecessor and that goes more
towards soft-porn and in which Tomomatsu uses techniques and a cast
already seen. And it could not be different.
